I draw animals and humans with any materials.
Cats, girl, birds, the fancy and lovely livings on my surface of my painting art works, I stay them with cool cute forming having reality.
The bodies of paintings are often fashion fabrics. It is sometime canvas.
I want surface them to keep raw condition. This is Asian long historical sense. And now, it has been spread over the global world. It similar to Zen thinking`s spread over. Today the minimalism sense of beauty, we can see on the popular interface design for Face Book too. In the contemporary days, I don`t like really painting all over the surface of body material within chaos colors of paints too.
But painting or drawing I must to do is not minimalism for me.
Some emotion will destroy the staying or keeping materials raw.
Because art is not for stay boring, art is for to born.
Working for art, paint, stretch, draw, paint, keeping raw, all of them are for born surprise. It`s clear in any case which complete this mission.
I think this the case is when I succeed for to be caught some influence or impression by graceful materials or things which I would show by art work.
This says some mean that my works has relation with real world.
The girls or animals, I would show their on my art, are based in imagination under the real persons and animals I know in my real life.
As art body, I often use fashion fabrics which we know not for painting because it will be tool making a tunnel real world to views of my works. Same system I can find in my using traditional skill or traditional fresh and primitive materials by my hand.
They must make tunnel or joint to real and take my imagination there.
My creating has some combinations of Manga sense and Japanese traditional painting study. I like Japanese Manga. It has provides me its sense naturally for long time from my childhood.
I can say that Manga made to me tunnel to fancy dimension. The fancy of Manga dimension world occupy some part of my real today. Because we can understand that human`s mind in brain is built up with happenings on manmade medias of culture and nature he has seen for his contemporary life.
Having my local natural Manga sense, if I will do "pure" painting looks like following the great artist De Kooning, My art will be interesting contemporary art.
I studied Japanese traditional painting. The studying gave me some benefit for my art. I can consider about Manga from deep point of studying traditional art.
Traditional is nature. Nature can`t tell a lie. Because, Nature is never fake.
That tells me possibility of my Asian contemporary art.
2005 Musashino Art University Department of Traditional Japanese painting. Tokyo,Japan.
2/2006 Solo exhibition PART 1, Gallery Q, Tokyo.
6/2006 Solo exhibition PART 2, Gallery Q, Tokyo.
2/2007 Solo exhibition, Art Space Rashinnban, Tokyo.
2/2007 Solo exhibition, Gallery Q, Tokyo.
2/2008 Solo exhibition, Gallery Q, Tokyo.
8/2008 group show, Suga Tatehiko taisyouten, Takashimaya, Osaka, Japan.
2/2009 Solo exhibition "TOMY, Gerero comments about P.Y.T" Art Space 88, Tokyo.
9/2009 "Crosscurrent The 2nd" Exchange group show, Tokyo Metropolitan Art Museum, MAKII MASARU FINE ARTS Gallery, Tokyo, Japan. LA ARTCORE,Los Angeles, CA, US.
3/2010 Solo exhibition Gallery Q, Tokyo.
3/2010 "Tokyo Wonder Seed" Shibuya, Tokyo
4/2010 "Possibility of Water and Ink", Art Space Rashinban, Tokyo.
8/2011 "The Contemporary Art Exhibition at Habuminato" Oshima,Tokyo
Japanese/ sorry for my writting now.
On such comtenporary days,